Artist's Comments
Page tree of an assignment for Doug Baron's Humor and Caricature class at the Joe Kubert School of Cartoon and Graphic Art.
We had to work from a sort of Marvel script, in that we were given 4 villains-- Fishin' the Magician, Helium Head, Count Porkula, and Robo-Clown-- and were only told that they are invading the Joe Kubert School looking for something. The character designs and how the story played out was up to us. We had to write, pencil, and ink 3 pages. Enough gore for a standard issue Fernando Ruiz to be proud of. Not the funniest joke in the world, and certainly not drawn as well as it could be, but my hand has been giving me problems lately this week. It was funnier in my head. While i kind of dig the layout, i'm not a big fan of how i drew it. The 90's gamer gag is a little easier to spot on this page. Minor touch ups in Photoshop Letters in Illustrator Page 1: [link] Page 2: [link] V8 Vegetable Juice is property of its respective owner. Comments
Definitely. Still waiting for someone to get the 90's gamer reference.
-- You may or may not find this artistically useful: [link] |
Details
June 11, 2009
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Critiques
First, the overall page is very striking. I love where you put the blacks, especially with the black page background. Choosing to use the white panel borders inside the overall black composition in order to avoid bleeding the black content of the panels with the background was a good idea. I don't think it would have worked well otherwise.
I enjoy the grittiness of the piece. You really give the impression of a dirty, nasty fight having taken place in the previous pages. Good stuff.
That said, I really had a hard time understanding what was going on in panels 1-4. Somewhere between the linework and the textures, I lost what I was supposed to be looking at. I think that a more explicit depiction of exactly what is in each panel would have worked better. Fun drawing and grittiness aside, we've got to *tell* the story, and sometimes I think that means getting very simplistic with what you draw in those panels--so that the audience has no choice but to see clearly what is in the panels, making it a clearer story.
Once I figured out what the panels contained, I will say that I liked very much the montage-themed shots of the defeated foes behind the main, battle-spattered winner. Good choice, and very Japanese of you!
I also liked the pacing overall of the page. As the eye crawls down the main hero, I got a real sense of the "quiet after the storm", then POP! I got the funny end panel. Great choice of camera shot, and I liked the can breaking the panel border so that we could see exactly what the joke was. If you had kept it inside the panel border, I think the impact would have fizzled.
Overall, I liked this! I'm laying out pages myself right now, so I understand how PAINFUL it is to choose panels and camera angles to tell a story.
Keep it up, man!
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